“Tell me, what is it you plan to do with your one wild and precious life?”

I recently watched Nyad. Annette Bening, Jodie Foster, Rhys Ifans and the gang give wonderful performances in this astounding story about the marathon swimmer, Diana Nyad, who in her 60s decided to reattempt a 110 mile open-ocean swim she had failed to complete in her 20s.

A quick read about the actual Diana Nyad reveals a controversial character, particularly in regard to the legitimacy of some of her claims and achievements. I had to think about this before posting – I don’t want to promote exaggeration or dishonesty.

However, I decided to share this blog because, firstly, the film is genuinely enjoyable, well crafted and uplifting.  Secondly, the story centres on a person who, well beyond her prime (though I wouldn’t dare suggest this to her) jumped back into an unforgiving ocean, the home of sharks and deadly box-jellyfish, believing she could swim for three days straight to achieve her goal. Whether all the ratifying technicalities were observed or not, the attempt, in and of itself, is simply awe-inspiring. Here is someone who backs her sentiments up with action:

“I just want to say three things. One, never, ever give up. Two, you’re never too old to chase your dreams. And three, it looks like a solitary sport, but it takes a team.”

U.S. swimmer Diana Nyad, 64, points towards Florida before her swim to Florida from Havana, Cuba

My efforts to forge a career as an actor come with challenges that often seem insurmountable. I’m grateful for people like Diana Nyad who charge into the unknown, shine their light brightly from way over there and beckon us forward. 

“Whatever your Other Shore is,
whatever you must do,
whatever inspires you,
you will find a way to get there.”

– Diana Nyad

Ps. The title of this post comes from the poem, The Summer Day by Mary Oliver, strongly referenced in the film and seemingly a source of inspiration to the actual Diana Nyad.

Battle Over Britain is out today 🎉

Headed to the Savoy Cinema Grantham on Wednesday evening for the premiere of Tin Hat Production’s Battle Over Britain ahead of the film’s official release today. I play Intelligence Officer in this latest feature from the ambitious Lincolnshire-based production company – great to see these independent film-makers growing from strength to strength. The screening and Q&A was followed by a little celebratory champers, much catching up and then the last train back to London…onwards and upwards.

The Good Ship Murder (Season 1, Episode 5)

Watch me show off a poker face in The Good Ship Murder on Channel 5 with Catherine Tyldesley (Coronation Street) and Shayne Ward (Coronation Street and X-Factor…yes, that Shayne Ward 👇)

I love it when an audition specifically calls for a South African accent (my own) and was absolutely chuffed to land the role of Keith Lomax, the Bitcoin-billionaire with a penchant for high-stakes poker. Lomax is eccentric, high status and a little dangerous – so it was a lot of fun preparing the role (and maybe playing a little more poker than was strictly necessary). It was also great getting to work with prolific TV director, Steve Hughes, who gave a masterclass in calm efficiency while on a very tight turnaround.

On set from left to right: Florin Piersic Jr (Nikolai Volkov), Jeffrey Mundell (Keith Lomax), Jacqueline Boatswain (Wendy Weston), Douglas Rand (Lee Stanard) and Rahul Arya (BL Zeebub)

Shayne Ward and Catherine Tyldesley lead the cast as an unlikely duo who team up to solve a spate of murders, with a host of other recognisable faces joining them for the eight-episode drama, which kicked off on Friday 13th October.

It was quite the adventure, filming a TV show on a working cruise liner alongside hundreds of passengers. My cabin was high up near the bow of the Virtuosa with a little balcony overlooking the sea – brilliant for watching dolphins skip across sunset swells or for staring into the mesmerising oil-blue ocean heaving below.

Best not block the exit

Williams as Monroe in My Week With Marilyn, 2011

“Acting sometimes reminds me of therapy in that the more you talk about a traumatic or profound event, the more it loses its emotional tension. The trick is to live in so much mystery, to rely on a feeling, an instinct, on faith, really, that everything I need is already inside me, and best I just don’t block the exit.”

– Michelle Williams (New York Times, Sept. 4, 2008)