The next Tin Hat Productions film, Battle Over Britain, is coming soon. I’ve been working with Tin Hat since 2012 – love seeing all the familiar and fresh faces at the company. I play Intelligence Officer in this production.
Ahem…fix it in post?
I found myself at Grand Central Recording Studios in London this week doing some ADR for an upcoming television show. Automated or Additional Dialogue Replacement is needed when the dialogue recorded during the shoot isn’t ‘clean’ – there might be distracting background noise, a corrupt audio file, a dodgy accent, etc. So, into the recording studio we go with the audio Wizards to make those ropey lines sound good and shiny.

It’s an art form in itself to match a vocal performance at a time and place far removed from the day it was shot. Back then I was on a set, in costume, opposite other characters. Now I’m behind the glass of a silent booth, headphones on in front of a mic, watching my performance on a screen. And I’m watching very closely – the rhythm and tempo, the level of intensity, every pause and hesitation, each subtle movement of lips and breath – trying to match that performance perfectly and as naturally as possible.
It’s tricky. I can’t say I love it. I’m not the only one:
This was by no means my first foray into ADR – I remember repeatedly roaring “Nutty!” at the very same GCRS facility years ago. I’ve done numerous sessions on other films – I’ll be back in the studio with Tin Hat Productions in a couple of weeks for their next feature film, Battle Over Britain. So, despite the technical hoop-jumping involved, ADR is an important part of film-making and worth learning to love. It’s also astounding what can be achieved – around 80% of the dialogue we did in Lancaster Skies was fixed in post production. It can also be pretty darn funny – Bad Lip Reading is a YouTube channel based entirely on this process. Warning: Star Wars will not be the same after viewing the following video:
Stalker Watching
First production of 2020 wrapped: 14 Days of continuous shooting, around 6 pages per day. Intense. Look out…Stalker Watching coming soon!
A Soaring Soundtrack
The Lancaster Skies soundtrack is out!
James Griffiths is the composer behind the superb score. I always dreamed of being in films with epic soundtracks and boy has he delivered. I’ve had the pleasure of meeting James a number of times: what a gentleman, and an immensely skilled one at that.
