My first audition of 2023 raced in as the year sped off and I thought: Here we go – let’s get this show on the road! Then three jobbing months limped by.
It’s been a stuttering start, crawling off the back-fire of the last three years. I won’t lie – my engine has taken a knock and I struggled to get up to speed ahead of the second of this year’s starting grids. Yep, that’s a grand total of two auditions in the last four months! From what I’m hearing, many of us are seeing ignition failure in the casting department this year. It’s depressingly quiet. The turbos are far from boosting.
Auto analogies aside, both of my auditions have surprisingly been of the face-to-face variety – unusual with the current trend towards self-tapes where you film and edit your own audition remotely. Both systems have pros and cons. I find being in the room, able to ask questions and take direction useful – especially when the actual director is present.
This latest audition was a commercial casting where actors are grouped in a variety of combinations, then held a while longer to play the scene again in a different group and so on – unlike the common two-minute, hit-and-run type.
I’m pretty certain I was kept for over an hour by mistake – honestly didn’t feel I was firing on all cylinders. Regardless, staying longer does give one the feeling of being in the running, a little boost to the confidence: you’re still a contender. It also doesn’t take long for a room of actors to spark up conversation. Simply sitting amongst the actory chit-chat, a sense of connectedness and belonging starts to seep into those parts that are feeling the grind – some good, clean oil to smooth the ride…
Onwards and upwards.